What does Christianity, 911 and The Federal Reserve have in common?
Zeitgeist was created as a not for profit expression to inspire people to start looking at the world from a more critical perspective and to understand that very often things are not what the population at large think they are. Zeitgeist The Movie is a film exploring the relationship between Christianity, 9/11 and the Federal Reserve Bank.
Divided into three parts, (Part I: "The Greatest Story Ever Told", Part II: "All The World's A Stage", and Part III: "Don't Mind The Men Behind The Curtain"), Zeitgeist is designed to prompt the audience into questioning their own beliefs on the subjects of US involvement in the 9/11 terrorist attacks, Christian theology, the Federal Reserve System, and the decreasing status of personal freedoms in the United States of America due to introductions of laws and organizations such as The Department of Homeland Security and the Patriot Act
Part I: The Greatest Story Ever Told
Part I deals with the origins of Christianity in paganism and the parallels between Jesus and the Egyptian god, Horus. This part also documents a series of biblical passages which aim to prove that Christian theology is nothing more than an extrapolation of preexisting texts and that The Bible is nothing more than an astrotheological literary hybrid.
Part II: All The World's a Stage
Part II deals primarily with 9/11 and asserts that it was a false flag operation in order to provide public backing for the US Establishment to continue its agenda in the Middle East and at home. It also suggests that the bombings in London that took place on the 7th of July, 2005 were orchestrated by the state.
Part III: Don't Mind The Men Behind The Curtain
Part III details a theory starting with the creation of the Federal Reserve System, the central banking system of the United States to current day in which the American people are being swindled from war to war at the benefit of private contractors and a closed circle of powerful men in order to boost economic prosperity. The movie postulates that every war entered into by the U.S. starting with World War I has been the result of forced provocation through secret U.S. involvement in cloak and dagger operations in order to goad the American public into supporting the wars. The ultimate goal of which is expansion of United States foreign interests and prolonged sustainment of conflict overseas to increase military spending, thereby boosting profits for corporations tied to polititians and the elite.
On January 20, 1942, with the tide of war turning in favor of the Allies, a small group of SS officers, government ministers, and Nazi officials met near Berlin to decide the fate of Europe's Jews. Based on the only surviving record of that meeting, Conspiracy is a powerful combination of historical reconstruction and speculation that attempts to offer new insights into a pivotal moment in history. The cast does a marvelous job of fleshing out the documentary evidence to create convincing characters. Kenneth Branagh is especially chilling as SS Chief of Security Reinhard Heydrich, who uses a combination of charm and ruthless power-mongering to gain support for his plans. Colin Firth is fascinating as Wilhelm Stuckart, a lawyer who sees the brutal tactics of the SS as a threat to his own intellectualized anti-Semitism, and Stanley Tucci gives a wonderfully understated performance as Adolf Eichmann. Conspiracy is a carefully crafted, completely unsensational film that offers ample proof of the banality of evil. There are no histrionics and no comic-book Nazi villains, just a small group of politicians and war-weary soldiers arguing about the meaning of words and the logistics of extermination, calmly preparing to unleash an unimaginable horror on the world.
